07/01/2002 - 07/31/2002
08/01/2002 - 08/31/2002
09/01/2002 - 09/30/2002
10/01/2002 - 10/31/2002
11/01/2002 - 11/30/2002
12/01/2002 - 12/31/2002
01/01/2003 - 01/31/2003
02/01/2003 - 02/28/2003
03/01/2003 - 03/31/2003
04/01/2003 - 04/30/2003
05/01/2003 - 05/31/2003
06/01/2003 - 06/30/2003
07/01/2003 - 07/31/2003
08/01/2003 - 08/31/2003
09/01/2003 - 09/30/2003
10/01/2003 - 10/31/2003
11/01/2003 - 11/30/2003
12/01/2003 - 12/31/2003
01/01/2004 - 01/31/2004
02/01/2004 - 02/29/2004
03/01/2004 - 03/31/2004
04/01/2004 - 04/30/2004
05/01/2004 - 05/31/2004
06/01/2004 - 06/30/2004
07/01/2004 - 07/31/2004
08/01/2004 - 08/31/2004
09/01/2004 - 09/30/2004
10/01/2004 - 10/31/2004
11/01/2004 - 11/30/2004
12/01/2004 - 12/31/2004
01/01/2005 - 01/31/2005
02/01/2005 - 02/28/2005
03/01/2005 - 03/31/2005
04/01/2005 - 04/30/2005
05/01/2005 - 05/31/2005
06/01/2005 - 06/30/2005
07/01/2005 - 07/31/2005
08/01/2005 - 08/31/2005
09/01/2005 - 09/30/2005
10/01/2005 - 10/31/2005
12/01/2005 - 12/31/2005
01/01/2006 - 01/31/2006
02/01/2006 - 02/28/2006
03/01/2006 - 03/31/2006
04/01/2006 - 04/30/2006
05/01/2006 - 05/31/2006
06/01/2006 - 06/30/2006
07/01/2006 - 07/31/2006
08/01/2006 - 08/31/2006
12/01/2006 - 12/31/2006
01/01/2007 - 01/31/2007



Thursday, January 04, 2007
I'm back in San Francisco and I have a magical window of wireless connection! Which is an uncanny reminder of this past holiday, when I was rapping at the YMCA for a gaggle of inner-city youth. It was incredible how put-together the night was, what with an amazing sound engineer and moving spotlights. Without any rehearsal, they played my beat CD and the whole stage went black. They timed the spotlight to shine on me right on the third beat of the bar, and then cut out again to black on the downbeat of the next bar. Obviously I was supposed to freestyle something when the spotlight hit me, but the first time it did, I was literally a deer caught in the headlight and I spluttered something like, "Guh-guh-guh-ga, wuh-wuh-wuh.. wah!!!"

See, I had learned something from Jay-Z's freestyle with Big L in '95. Jay would make mistakes and still make it cool to do so. For instance, when he said, "Here I come... a-guh-guh-guh-gain..." However, being an abstract pioneer of tremendous depth, I decided to take his idea a step further, not even bother with intelligible words, and choke out mere syllables. Next time, I'm going to go yet another step in artistically challenging my audience: John Cage the whole performance and not say anything at all. An 8W montage in blinking lights.

So, what do I have to say right now other than coo-coo-ka-choo. I almost missed my flight this morning because US Customs is very, very suspicious of me. I am sent to another room because my student record says that my program ends in May 2007, and, to figure out whether this is true, there is an elaborate process. First, a highly trained officer needs to sit there for three minutes while staring at a wall, sip a cup of coffee, chat with his other uniformed buddies who debate why coffee is better than Coke, email his mom, play Tetris online, and then -- and only then -- wonder out loud what his password is.

Apparently, as I am eavesdropping on their conversation (because, let's face it, unlike them, I'm not here for the coffee), they have different passwords for different databases, and my guy is having trouble dealing with the truths of his world. This is their dialogue:

Guy 1: I always forget what my SEVIS password is!
Guy 2: I know. I always do that too. And then you have to reset all your other passwords.
Guy 1: Oh, I hate that. Resetting the passwords for every database takes forever.

So that's why I'm here? Because you can't figure out why your password for Hotmail isn't working in the government database and now you're taking 15 extra minutes, thinking of new passwords??

I'm not making any of this up. Well, maybe the Tetris thing.